Wendy Red Star

2026

One Blue Bead, Sargent’s Daughters, New York, NY

False Stars, Roberts Projects, Los Angeles, CA

2025

Her Dreams Are True, Trout Gallery at Dickinson College, Carlisle, PA

Spotlight: My Home Is Where My Tipi Sits, Sargent’s Daughters, New York, NY

2024

Bíikkua (The Hide Scraper), Roberts Projects, Los Angeles, CA

In The Shadow of Paper Mountains, Gathering, London, U.K.

2023

Our Side, Sargent’s Daughters, New York, NY

Wendy Red Star: A Scratch on the Earth, Columbus Museum of Art, Columbus, OH

2022

Travels Pretty, Public Art Fund, JCDecaux Bus Shelters Across New York, NY, Chicago, IL, & Boston, MA

Apsáalooke: Children of the Large-Beaked Bird, Madison Museum of Contemporary Art, Madison, WI

Apsáalooke: Children of the Large-Beaked Bird, The Rockwell Museum, Corning, NY

Delegation, Sargent’s Daughters UNDERGROUND, New York, NY

American Progress, The Anderson Collection at Stanford University, Stanford, CA

Wendy Red Star: A Scratch on the Earth, San Antonio Museum of Art, San Antonio, TX

2021

A Float for the Future, Sargent’s Daughters at The Armory Show, Javits Center, New York, NY

Brings Good Horses, Sargent’s Daughters, New York, NY

Wendy Red Star: The Indian Congress, Joslyn Art Museum, Omaha, NE

2020

Apsáalooke: Children of the Large-Beaked Bird, MASS MoCA, North Adams, MA

2019

Accession, Sargent’s Daughters, New York, NY

Wendy Red Star: A Scratch on the Earth, Newark Museum, Newark, NJ

Tokens, Gold, & Glory (special installation), Autry Museum Of The American West, Los Angeles, CA

Wendy Red Star: Baaeétitchish (One Who Is Talented), Light Work, Syracuse, NY

Wendy Red Star and Beatrice Red Star Fletcher: Apsáalooke: Children of the Large-Beaked Bird, King School Museum of Contemporary Art (KSMoCA), Portland, OR

2018

The Maniacs (We’re Not The Best, But We’re Better Than The Rest), University Art Gallery, New Mexico State University, Las Cruces, NM

Wendy Red Star: Apsáalooke Feminist, Four Seasons, White Squaw, The New Gallery, Austin Peay State University, Clarksville, TN

Wendy Red Star: HUD Houses and REZ Cars, East Gallery, Claremont Graduate University, Claremont, CA

2017

Our Side, Missoula Art Museum, Missoula, MT

Um-basax-bilua, Cue Art Foundation, New York, NY

Reservation Pop, Duluth Art Institute, Duluth, MN

Documenting the Rez Cars & HUD Houses of Pryor, Montana (Crow Indian Reservation), Bethel University, Arden Hills, MN

Works, Governor’s Office, Salem, OR

Wendy Red Star: Grandmothers (I Come As One, But I Stand As Ten Thousand), Kimura Gallery, University of Alaska, Anchorage, Anchorage, AK

2016

We Are The People, Weber State University, Mary Elizabeth Dee Shaw Gallery, Ogden, UT

Strength Unity Power, Triton Museum of Art, Santa Clara, CA

Betty Bowen Award Solo Exhibition, Seattle Art Museum, Seattle, WA

Peelatchiwaaxpáash/Medicine Crow (Raven) and the 1880 Crow Peace Delegation, Northcutt Steele Gallery, Montana State University, Billings, MT

Peelatchiwaaxpáash/Medicine Crow (Raven) and the 1880 Crow Peace Delegation, Reese Bullen Gallery, Humboldt State University, Arcata, CA

Parading Culture (Tokens, Gold, & Glory), Haw Contemporary, Kansas City, MO

2015

Tableaux Vivant: Nature’s Playground, Seattle Art Fair, Seattle, WA

Circling The Camp, Fine Arts Gallery, Spokane Falls Community College, Spokane, WA

Peelatchiwaaxpáash/Medicine Crow (Raven) and the 1880 Crow Peace Delegation, Figge Art Museum, Davenport, IA

2014

Peelatchiwaaxpáash/Medicine Crow (Raven) and the 1880 Crow Peace Delegation, APEX Gallery, Portland Art Museum, Portland, OR

Circling The Camp, Indianapolis Museum of Contemporary Art, Indianapolis, IN


Wendy Red Star, C.N. Gorman Museum, Davis, CA

Crow Women’s Objects, St. Louis Art Museum, St. Louis, MO

Wendy Red Star’s Wild West And Congress Of Rough Riders Of The World, Bumbershoot, Seattle, WA

2011

My Home Is Where My Tipi Sits (Crow Country), Missoula Art Museum, Missoula, MT

2026

Guggenheim Pop: 1960 to Now, Solomon R. Guggenheim Museum, New York, NY

NGV Triennial 2026, National Gallery of Victoria, Melbourne, Australia

2026: 250 Years, Indigenous Futures, Haines Gallery, San Francisco, CA

Hold to This Earth, Yorkshire Sculpture Park, West Bretton, UK

Taking Back Our Space: Photographic Perspectives, The Museum of Modern Art, New York, NY

A Kind of Paradise: Colonial-Era Photography in Contemporary Art, Museum Rietberg, Zürich, Switzerland

Here and Now: De/Collecting Memories from Turtle Island, Museum Ludwig, Cologne, Germany

Remixed: Entwined Histories and New Forms, Santa Barbara Museum of Art, Santa Barbara, CA

Where I Learned to Look: Art from the Yard, Colorado Springs Fine Arts Center, Colorado College, Colorado Springs, CO

MoCP at Fifty: Collecting Through The Decades, Museum of Contemporary Photography at Columbia College Chicago, Chicago, IL

Native Now: Contemporary Indigenous Art at The Rockwell Museum, The Rockwell Museum, Corning, NY

The Whisperers, Ditch Projects, Springfield, OR

Art on Paper 2026: The 48th Exhibition, Weatherspoon Art Museum, Greensboro, NC

America Today: Voices in Contemporary Print, The Print Center, Philadelphia, PA

Confluence: Spirit Keepers and Indigenous Futures, Ulrich Museum of Art, Wichita State University

Positive Fragmentation, Long Beach Museum of Art, Long Beach, CA

American Stories from Sargent to O’Keeffe: A Partnership with the Newark Museum of Art, The Bruce Museum, Greenwich, CT

Delicately Interconnected: Influence and Process, Schnitzer Collection Gallery, Portland, OR

2025

Indigenous Identities: Here, Now & Always, Zimmerli Art Museum, Rutgers University, New Brunswick, NJ

The Rose, The Center for Photography at Woodstock, Kingston, NY

SPORTS SPORTS SPORTS, Art Windsor–Essex, Windsor, Ontario, Canada

Winter Count: Embracing the Cold, National Gallery of Canada, Ottawa, Ontario, Canada

Back to the Earth, Roberts Projects, Los Angeles, CA

Global Icons, Local Spotlight: Contemporary Art from the Collection of Jordan D. Schnitzer, Portland Art Museum, Portland, OR

Shifting the Narrative: 21st Century Acquisitions, Portland Art Museum, Portland, OR

Shattered Glass: The Women Who Elevated American Art, Canton Museum of Art, Canton, OH

Women of the Pacific Northwest, Asheville Art Museum, Asheville, NC

Her View: Women Artists in the Collection, The Brinton Museum, Big Horn, WY

Shadow & Light: Native American Printmakers from the Crow’s Shadow Institute of the Arts, The Brinton Museum, Big Horn, WY

Eye to Eye, Schingoethe Center of Aurora University, Aurora, IL

Crow’s Shadow Institute of the Arts Biennial, Hallie Ford Museum of Art, Willamette University, Salem, OR

POV (Point of View), The Lobby at the Ellen Browning Building, Portland, OR

Tough Skin, Soft Ribs, Light Work, Syracuse, NY

Love, Desire, and Sorrow: Artworks from the Collections of Jordan D. Schnitzer and His Family Foundation, Jordan Schnitzer Museum of Art, University of Oregon, Eugene, OR

2024

Acts of Resistance: Photography, Feminism and the Art of Protest, South London Gallery, London, U.K.

Are You Joking? Women & Humor, The Church, Sag Harbor, NY

Collage Culture, Monique Meloche Gallery, Chicago, IL

What it Becomes, Whitney Museum of American Art, New York, NY

Strange Weather: From the Collections of Jordan D. Schnitzer and His Family Foundation, Jordan Schnitzer Museum of Art, University Oregon, Eugene, OR

The Land Carries Our Ancestors: Contemporary Art by Native Americans, New Britain Museum of American Art, New Britain, CT

Future Imaginaries: Indigenous Art, Fashion, Technology, Autry Museum Of The American West, Los Angeles, CA

Nineteenth-Century Photography Now, Getty Center, Los Angeles, CA

Where I Learned to Look: Art from the Yard, Institute of Contemporary Art, Philadelphia, PA

Contemporary Native American Art, Schingoethe Center of Aurora University, Aurora, IL

Women Reframe American Landscape, Leigh Yawkey Woodson Art Museum, Wausau, WI

2023

Sharjah Biennial 15: Thinking Historically in the Present, Sharjah Art Foundation, Sharjah, U.A.E.

The Land Carries Our Ancestors: Contemporary Art by Native Americans, National Gallery of Art, Washington, D.C.

The Rose, lumber room, Portland, OR

Death of Beauty, Sargent’s Daughters West, Los Angeles, CA

Face to Face, Tang Teaching Museum at Skidmore College, Saratoga Springs, NY

Beyond Granite: Pulling Together, Monument Lab, National Mall, Washington, D.C.

New Acquisitions: Paul Bril To Wendy Red Star, The British Museum, London, U.K.

Seeing America: 18th & 19th Century, The Newark Museum of Art, Newark, NJ

Positive Fragmentation: From the Collections of Jordan D. Schnitzer and His Family Foundation, The Taubman Museum of Art, Roanoke, VA

No Place Like Home, Schingoethe Center of Aurora University, Aurora, IL

Women Reframe American Landscape, New Britain Museum of American Art, New Britain, CT

Women Reframe American Landscape, Thomas Cole National Historic Site, Catskill, NY

Between Life and Land: Identity, Kimball Arts Center, Park City, UT

Strange Weather: From the Collections of Jordan D. Schnitzer and His Family Foundation, Bellevue Arts Museum, Bellevue, WA

Speaking with Light: Contemporary Indigenous Photography, Denver Art Museum, Denver, CO

Many Wests: Artists Shape an American Idea, Utah Museum of Fine Art, Salt Lake City, UT; Smithsonian American Art Museum, Washington, D.C.

Here in a Homemade Forest: Common Reading Connections, Jordan Schnitzer Museum of Art, Washington State University, Pullman, WA

Fluid Matters, Grounded Bodies: Decolonizing Ecological Encounters, Gallery 360, Northeastern University, Boston, MA

2022

Wit, Humor, & Satire, Albuquerque Museum, Albuquerque, NM

American Art: The Stories We Carry, Seattle Art Museum, Seattle, WA

This is Not America’s Flag, The Broad, Los Angeles, CA

Speaking with Light: Contemporary Indigenous Photography, Amon Carter Museum of American Art, Fort Worth, TX

Strange Weather, Santa Cruz Museum of Art & History, Santa Cruz, NM

Uncovered Spaces, The International Museum of Art and Science, McAllen, TX

Hues, Hannah Traore Gallery, New York, NY

The Clamor of Ornament: Exchange, Power, and Joy from the Fifteenth Century to the Present, The Drawing Center, New York, NY

Adorned, Nerman Museum of Contemporary Art, Overland Park, KS

Object Relations: Indigenous Belongings, Wallach Art Gallery, Lenfest Center for the Arts, Columbia University, New York, NY

In the Middle of Everywhere: Artists on the Great Plains, Remai Modern, Saskatoon, Saskatchewan, Canada

Based on a True Story, Museum of Contemporary Art Chicago, Chicago, IL

In a Dream You Saw a Way to Survive and You Were Full of Joy, The Contemporary Austin, Austin, TX

Positive Fragmentation: From the Collections of Jordan D. Schnitzer and His Family Foundation, American University Museum at the Katzen Arts Center, Washington, D.C.

Power Play: Reimagining Representation in Contemporary Photography, The Fralin Museum of Art, Charlottesville, VA

On the Line: Documents of Risk and Faith, Contemporary Arts Center, Cincinnati, OH

True Likeness, HUB-Robeson Galleries, Pennsylvania State University, University Park, PA; Baker Art Museum, Artis-Naples, FL

Many Wests: Artists Shape an American Idea, Jordan Schnitzer Museum of Art, Eugene, OR; Whatcom Museum of Art, Bellingham, WA

2021

In Some Form or Fashion, The Momentary, Bentonville, AR

Picturing Motherhood Now, Cleveland Museum of Art, Cleveland, OH

Constellations: Photographs in Dialogue, San Francisco Museum of Modern Art, San Francisco, CA

The First Water Is the Body, Visual Arts Center of New Jersey, Summit, NJ

Stories of Resistance, Contemporary Art Museum St. Louis, St. Louis, MO

Horses?, CHART Gallery, New York, NY

True Likeness, Sarah Moody Gallery of Art, University of Alabama, Tuscaloosa, AL

Girl You Want, ArtYard, Frenchtown, NJ

Ansel Adams: In Our Time, Portland Art Museum, Portland, OR

Many Wests: Artists Shape an American Idea, The Boise Art Museum, Boise, ID

2020

True Likeness, Van Every Gallery at Davidson College, Davidson, NC

House to House: Women, Politics, and Place, Frost Art Museum, Miami, FL

Never Done: 100 Years of Women in Politics and Beyond, Tang Teaching Museum at Skidmore College, Saratoga Springs, NY

Magnetic West: The Enduring Allure of the American West, Figge Art Museum, Davenport, IA; Sioux City Art Center, Sioux City, IA

Um-basax-bilua (Where They Make Noise) 1904-2016, presented by Aperture, Photoville Festival Brooklyn Bridge Park, Brooklyn, NY

The World Stage: Contemporary Art from the Collections of Jordan D. Schnitzer and his Family Foundation, Nevada Museum of Art, Reno, NV

What Needs to Be Said: Hallie Ford Fellows in the Visual Arts, Disjecta Contemporary Art Center, Portland, OR

Two Generations: Joe Feddersen and Wendy Red Star, Schneider Museum of Art, Ashland, OR

SUM Artists: Visual Diagrams & Systems-Based Explorations, Ruth and Elmer Wellin Museum of Art, Clinton, NY

Labor: Motherhood & Art in 2020, University Art Museum, New Mexico State University, Las Cruces, NM

2019

Perilous Bodies, Ford Foundation Gallery, New York, NY

Revisions: Contemporary Native Art, Raclin Murphy Museum of Art, University of Notre Dame, Notre Dame, IN

Crow’s Shadow Institute of the Arts at 25, Boise Art Museum, Boise, ID

Life Is A Highway: Art And American Car Culture, Toledo Art Museum, Toledo, OH

Vernacular Environments, Part 3, Edward Cella Art & Architecture, Los Angeles, CA

Otherwise Obscured: Erasure in Body and Text, Franklin Street Works, Stamford, CT

F-BOMB, Hillman-Jackson Gallery, Daniel Arts Center at Bard College at Simon’s Rock, Great Barrington, MA

What Needs to Be Said: Hallie Ford Fellows in the Visual Arts, Hallie Ford Museum, Willamette University, Salem, OR

Women Take the Floor, Museum of Fine Arts, Boston, Boston, MA

Person Perception Persona, Northlight Gallery, Arizona State University, Phoenix, AZ

Monument Valley, Des Moines Art Center, Des Moines, IA

Dear Lucy, UPFOR Gallery, Portland, OR

Reconstructing Identities, Fowler Kellogg Art Center, Chautauqua, NY

YOU ARE ON INDIGENOUS LAND: places/displaces, Seattle Art Museum, Seattle, WA

Monarchs: Brown and Native Contemporary Artists in the Path of the Butterfly, Nerman Museum of Contemporary Art, Overland Park, KS

Toughened to Wind and Sun: Women Photographing the Landscape, Portland Art Museum, Portland, OR

2018

100 Years and Counting, Minnesota Museum of American Art, St. Paul, MN

Give a damn., The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, NY

Half the Picture: A Feminist Look at the Collection, Brooklyn Museum of Art, Brooklyn, NY

Witness: Themes of Social Justice in Contemporary Printmaking and Photography from the Collections of Jordan D. Schnitzer and His Family Foundation, The Hallie Ford Museum of Art, Willamette University, Salem, OR

Through That Which Is Seen, City of Palo Alto Art Center, Palo Alto, CA

Native Portraiture: Power and Perception, Tacoma Art Museum, Tacoma, WA

Unsettled: Art on the New Frontier, Anchorage Museum, Anchorage, AK; Palm Springs Art Museum, Palm Springs, CA

Crow’s Shadow Institute of the Arts at 25, Jordan Schnitzer Museum of Art, Washington State University, Pullman, WA

Hear My Voice: Native American Art of the Past and Present, Museum of the Shenandoah Valley, Winchester, VA; Taubman Museum of Art, Roanoke, VA

Reflections: Native Art Across Generations, Fralin Museum of Art, University of Virginia, Charlottesville, VA

Expanded Views: Native American Art in Focus, Toledo Museum of Art, Toledo, OH

Federal Project 2, Photoville Festival, Brooklyn Bridge Park, Brooklyn, NY

Wildlife, Pattern, and Identity: Contemporary Native American Work from the Collections of Jordan D. Schnitzer and His Family Foundation, Ucross Foundation, Ucross WY

Unexpected Encounters, Nelson-Atkins Museum of Art, Kansas City, MO

Mirror Mirror, Paul Robeson Galleries, Rutgers University, Newark, NJ

2017

Unsettled, Nevada Museum of Art, Reno, NV

The Western: An Epic In Art and Film, Denver Art Museum, Denver, CO; The Montreal Museum of Fine Arts, Montreal, Quebec, Canada

Dress Matters: Clothing as Metaphor, Tucson Museum of Art, Tucson, AZ

Hear My Voice: Native American Art of the Past and Present, Virginia Museum of Fine Arts, Richmond, VA

Monarchs: Brown and Native Contemporary Artists in the Path of the Butterfly, Bemis Center for Contemporary Arts, Omaha, NE

Native Fashion Now, National Museum of the American Indian, Smithsonian, New York, NY

Created by Light, The Cameron Art Museum, Wilmington, NC

Common Seeing, Jordan Schnitzer Museum of Art, University of Oregon, Eugene, OR

Innovative Approaches, Honored Traditions: the Ruth and Elmer Wellin Museum of Art at Five years. Highlights from the Permanent Collection, Ruth and Elmer Wellin Museum of Art, Clinton, NY

Buffalo in the American Living Room: Fritz Scholder and Contemporary Native Art, Plains Art Museum, Fargo, ND

Wood Land School: Kahatenhstánion tsi na’tetiatere ne Iotohrkó:wa tánon Iotohrha / Drawing Lines from January to December, SBC Gallery of Contemporary Art, Montreal, Quebec, Canada

Crafted Strangers, Center for Craft, Creativity, and Design, Asheville, NC

Hawks on the Highway: Prints from Crow’s Shadow Institute, Newport Visual Arts Center, Newport, OR

Now Burning, Border Patrol, Westbrook, ME

Native Fashion Now, Smithsonian’s National Museum of the American Indian, New York, NY

Indigenismos: Amerindian Inscriptions on the Art of the Americas, San Diego Museum of Art, San Diego, CA

Contemporary Women Printmakers, Jordan Schnitzer Museum of Art, Washington State University, Pullman, WA

2016

The Art of American Dance, Crystal Bridges Museum of American Art, Bentonville, AR

Contemporary Native Photographers and the Edward Curtis Legacy: Zig Jackson, Wendy Red Star, Will Wilson, Portland Art Museum, Portland, OR

Native Fashion Now, Portland Art Museum, Portland, OR; Philbrook Museum of Art, Tulsa, OK

Alterations: Wendy Red Star and Kaj-anne Pepper, The Linfield Art Gallery, Linfield University, McMinnville, OR

HOZHO, South of the Tracks, Chicago, IL

Not Vanishing: Indigenous Art from 1870-2015, Virginia S. Hislop Gallery, Heritage University, Toppenish, WA

Remote Impressions: Works from Crow’s Shadow Press, Lincoln Hall, Portland State University, Portland, OR

As We See It, 516 Arts, Albuquerque, NM

Change Makers, Art Gallery of Mississauga, Mississauga, Ontario, Canada

Ogema: I AM Woman, Winsor Gallery, Vancouver, British Columbia, Canada

Enendaman/Anminigook, Ace Art Inc., Winnipeg, Manitoba, Canada

Myth of Fishes, Campbell River Art Gallery, Campbell River, British Columbia, Canada

Apsáalooke Feminist #1 and Elk Tooth Dress, University of Oregon Museum of Natural and Cultural History, Eugene, OR

2015

Native Fashion Now, Peabody Essex Museum, Salem, MA

The Plains Indians: Artists of Earth and Sky, Metropolitan Museum of Art, New York, NY

Enter the Matrix: Indigenous Printmakers, Fred Jones Jr. Museum of Art, Norman, OK

About Face: Self-Portraiture in Contemporary Art, Hood Museum of Art, Dartmouth College, Hanover, NH

West 18th Street Fashion Show Invitational Summer, Kansas City Public Library, Kansas City, MO

Migration Series #1: Pao Houa Her and Wendy Red Star, Telemark Kunstsenter, Skien, Norway

Ascent, US Bank Art Space, Seattle, WA; Denver, CO

Custom Made, Kamloops Art Gallery, Kamloops, British Columbia, Canada

Presidents Fine Art Series Exhibition, Helen E. Copeland Gallery, Montana State University, Bozeman, MT

Wendy Red Star & Roya Falahi, Vermillion Art Gallery, Seattle, WA

2014

The Plains Indians: Artists of Earth and Sky, Nelson Atkins Museum, Kansas City, MO

Contemporary Native Photography, Novosibirsk Festival of Photography and Yekaterinburg Museum of Fine Arts, Yekaterinburg, Russia

Contemporary American Indian Art, Nerman Museum of Contemporary Art, Overland Park, KS

FoCA Acquisition, Utah Museum of Fine Arts, Salt Lake City, UT

Cross Currents, Art Gallery, Art Hall at Fort Lewis College, Durango, CO; Center for Visual Art at Metropolitan State University, Denver, CO

Epilogue, Eaton Hall, Willamette University, Salem, OR

Neon Nomads, City of Sydney Art & About Festival, Sydney, Australia

That Thing That Goes! Exhibition By Wendy Red Star & Terrance Houle, Truck Gallery, Calgary, Alberta, Canada

Modern Illusions in Native American Art, Winterowd Fine Art, Santa Fe, NM

I.M.N.D.N., The Art Gym at Marylhurst University, Marylhurst, OR

Storytelling: The Contemporary Native Art Biennial 2nd Edition, Art Mur Gallery, Montreal, Quebec, Canada

2013

Space is the Place, Disjecta Contemporary Art Center, Portland, OR

2012‍ ‍

Portland 2012: A Biennial of Contemporary Art, Disjecta Contemporary Art Center, Portland, OR

Resolution(s), Littman & White Galleries, Portland, OR

Tipi: The Unbroken Circle II, IDEA Space, Colorado College, Colorado Springs, CO

Rez Cars, The Museum of Contemporary Native Arts, Santa Fe, NM

2011

DoubleSpeak, Utah Museum of Contemporary Art, Salt Lake, UT

Portland 2011: A Biennial of Contemporary Art, Disjecta Contemporary Art Center, Portland, OR

Tipi: The Unbroken Circle I, IDEA Space, Colorado College, Colorado Springs, CO

Observe / Recognize: Works from Contemporary American Indian Artists, Legends Gallery, Santa Fe, NM

The Living Machine, Lost Coast Culture Machine Gallery, Fort Bragg, CA

Utopia/Dystopia, Littman & White Galleries, Portland, OR

2010

Crow’s Shadow Institute of the Arts Biennial, Hallie Ford Museum, Willamette University, Salem, OR

Things Are Expanding, Swarm Gallery, San Francisco, CA

2009‍ ‍

Art Quantum: The Eiteljorg Fellowship for Native American Fine Art, 2009, Eiteljorg Museum, Indianapolis, IN

Contemporary Voices in Visual Narrative, Studio 102 Gallery, Logan, UT

Historical Vernacular, Monte Vista Gallery, Los Angeles, CA

2007

Abstract Things, Laura Bartlett Gallery, London, U.K.; Aqua Art Miami, Miami, FL; Plush Gallery, Dallas, TX

Show #13, And/Or Gallery, Dallas, TX

Body Double, Luckman Gallery, Los Angeles, CA

Femme Fantastique, Volitant Gallery, Austin, TX

2006

Where I Lived..., Domaine De Kerguéhennec, Brittany, France

Resident Work, Hudson D. Walker Gallery, Provincetown, MA

Supersonic, L.A. Municipal Art Gallery, Los Angeles, CA

Show #3, And/Or Gallery, Dallas, TX

Portraiture: Studio and Street, Museum Tower at MOCA, Los Angeles, CA

NFO EXPO Version Fest 06, R & D Gallery, Chicago, IL

9th International, Woman Made Gallery, Chicago, IL

2005

J’en Reve, Fondation Cartier L’ Art Contemporain, Paris, France

LA MFA Exhibition, CSULB Gallery at UCLA, Los Angeles, CA

2026

Visiting Art in Residence, Tandem Press, University of Wisconsin–Madison

Visiting Artist, Rocky Mountain College of Art + Design

Nasher Lecture Series Distinguished Speaker, University of North Texas College of Visual Arts and Design

2025

Honorary Doctorate, Montana State University

Dickinson College Arts Award, Dickinson College

Visiting Artist, Dickinson College

Artist in Residence, Museum of Glass

Artist in Residence, Pilchuck School of Glass

PhotoWork Junior Fellowship Mentor, PhotoWork Foundation

2024

MacArthur Fellowship, John D. and Catherine T. MacArthur Foundation

Infinity Award in Contemporary Photography and New Media, The International Center of Photography

Bonnie Bronson Fellowship

2023

Photobook of the Year Honoree: Delegation (Aperture), Center for Photography at Woodstock

Artist in Residence, Crow’s Shadow Institute of the Arts

International Artist in Residence, Sarah Lee Elson, Class of 1984 Program, Princeton University

Advisory Board, Archives of American Art Journal, The University of Chicago Press

2022

Grant Recipient, Anonymous Was A Woman

TIME’s 20 Best Photobooks of 2022: Delegation, TIME Magazine

Emerson Collective Fellowship, Emerson Collective

Advisory Board, Archives of American Art Journal, The University of Chicago Press

2021

Nancy Graves Grant for Visual Artists, Nancy Graves Foundation

Advisory Board, Archives of American Art Journal, The University of Chicago Press

2020

Advisory Board, Archives of American Art Journal, The University of Chicago Press

2019

Artist in Residence, Crisp-Ellert Art Museum & Flagler College

Artist in Residence, Palm Springs Art Museum

Call to Action Commission, Art + Feminism

Visiting Artist Lecture, Boise State University

Artist Lecture, Brooklyn Museum

2018

Painters & Sculptors Grant, Joan Mitchell Foundation

Smithsonian Artist Research Fellowship

Stumptown Artist Fellowship

Hundred Heroines List, Royal Photographic Society

Artist Lecture, Fralin Museum of Art at the University of Virginia

Visiting Artist Lecture, Brown University

Visiting Artist Lecture, University of Oregon

2017

Louis Comfort Tiffany Award

Artist in Residence, Art in the Governor’s Office Summer Indigenous Art Intensive, University of British Columbia

Solo Exhibition Awardee, Cue Art Foundation

Joint lecture with Beatrice Red Star Fletcher, Museum of Art, Washington State University

Keynote Speaker, Association of Academic Museums & Galleries

James and Meryl Norton Hearst Lecture Series, University of Northern Iowa

2016

Solo Exhibition Awardee, Bemis Center For Contemporary Arts

Hallie Ford Fellow, The Ford Family Foundation

Betty Bowen Award, Seattle Art Museum

Native Arts Artist in Residence, Denver Art Museum

Mark and Mary Goff Fiterman Lecture Series, Minneapolis Institute of Art

Artist Lecture, Portland Art Museum

Guest Panelist: If It Wasn’t For The Women, Saint Louis Art Museum

Moderator: We Are The People, Weber State University

Artist Lecture, Yale University

2015

Emerging Artist Grant, The Joan Mitchell Foundation

Golden Spot Award Artist in Residence, Crow’s Shadow Institute of the Arts

Visiting Artist in Residence, C.M. Russell Museum

Guest Panelist, Seattle Art Fair

Guest Panelist, Things You Know But Cannot Explain: Symposium, Jordan Schnitzer Museum of Art, University of Oregon

Artist Lecture, Paul Brach Lecture Series, California Institute of the Arts

Guest Panelist, About Face Panel Discussion, Hood Museum of Art, Dartmouth College

Remix Event, Artist Workshop Activities, Seattle Art Museum

2014

Artist Lecture, Portland Art Museum

Artist Lecture, C.N. Gorman Museum

Artist Lecture, Indianapolis Contemporary

2013

Artist Lecture, Banff Centre for Arts and Creativity

Guest Panelist, Native American Art Studies Association, Denver Art Museum

2012

Artist Lecture, The Museum of Contemporary Native American Arts

Artist Lecture, Western Washington University

2009

Artist in Residence, Crow’s Shadow Institute of the Arts

Eiteljorg Contemporary Art Fellowship, Eiteljorg Museum of Art

2006

Artist in Residence, Skowhegan School of Painting and Sculpture

Artist in Residence, Provincetown Fine Art Works Center

2025

Wendy Red Star: Her Dreams Are True, The Trout Gallery, Dickinson College, Carlisle, PA

2023

Wendy Red Star: Bíilukaa, Radius Books, Santa Fe, NM

Speaking With Light: Contemporary Indigenous Photography, Radius Books, Santa Fe, NM

2022

Wendy Red Star: Delegation, Aperture and Documentary Arts, New York, NY

2021‍ ‍

Brings Good Horses, Sargent’s Daughters, New York, NY

2020

Aperture 240: Native America, Aperture, New York, NY

2019‍ ‍

Accession, Sargent’s Daughters, New York, NY

Albuquerque Museum, Albuquerque, NM

Allentown Art Museum, Allentown, PA

Amon Carter Museum of American Art, Fort Worth, TX

Art Museum of West Virginia University, Morgantown, WV

Asheville Art Museum, Asheville, NC

Autry Museum of the American West, Los Angeles, CA

Benton Museum of Art, Claremont, CA

Bethel University Galleries, St. Paul, MN

Baltimore Museum of Art, Baltimore, MD

Birmingham Museum of Art, Birmingham, AL

Boise Art Museum, Boise, ID

The Brinton Museum, Big Horn, WY

British Museum, London, U.K.

Brooklyn Museum, Brooklyn, NY

Buffalo AKG Art Museum, Buffalo, NY

Chautauqua Institution, Chautauqua, NY

Chazen Museum of Art, Madison, WI

C.N. Gorman Museum, Davis, CA

Colby College Museum of Art, Waterville, ME

Columbus Museum of Art, Columbus, OH

Crocker Art Museum, Sacramento, CA

Crystal Bridges Museum of American Art, Bentonville, AR

Denver Art Museum, Denver, CO

Des Moines Art Center, Des Moines, IA

Doris Ulmann Galleries on the Berea College, Berea, KY

Eiteljorg Museum of American Indians and Western Art, Indianapolis, IN

Figge Art Museum, Davenport, IA

Ford Foundation, New York, NY

Forge Project, Taghkanic, New York

Fralin Museum of Art at the University of Virginia, Charlottesville, VA

Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, NY

The Guggenheim Museum, New York, NY

Hallie Ford Museum of Art, Salem, OR

Harvard Art Museums, Cambridge, MA

Herbert F. Johnson Museum of Art, Ithaca, NY

Hood Museum of Art, Hanover, NH

IAIA Museum of Contemporary Native Arts, Santa Fe, NM

Jordan Schnitzer Family Foundation, Portland, OR

Jordan Schnitzer Museum of Art, Eugene, OR

Joslyn Art Museum, Omaha, NE

Kruizenga Art Museum, Holland, MI

Library of Congress, Washington, D.C.

Los Angeles County Museum of Art, Los Angeles, CA

Lucas Museum of Narrative Art, Los Angeles, CA

Marianna Kistler Beach Museum of Art, Manhattan, KS

Memorial Art Gallery of the University of Rochester, Rochester, NY

Metropolitan Museum of Art, New York, NY

Middlebury College Museum of Art, Middlebury, VT

Minneapolis Institute of Art, Minneapolis, MN

Minnesota Museum of American Art, St. Paul, MN

Montreal Museum of Fine Arts, Montreal, QC, Canada

Museum of Contemporary Art Chicago, Chicago, IL

Museum of Contemporary Native Arts, Santa Fe, NM

Museum of Contemporary Photography at Columbia College, Chicago, IL

Museum of Fine Arts Boston, Boston, MA

Museum of Fine Arts Houston, Houston, TX

Museum Ludwig, Cologne, Germany

Museum of Modern Art, New York, NY

Nasher Museum of Art at Duke University, Durham, NC

National Museum of The American Indian George Gustav Heye Center, New York, NY

Nelson-Atkins Museum of Art, Kansas City, MO

Nerman Museum of Contemporary Art, Overland Park, KS

Newark Museum of Art, Newark, NJ

New Mexico State University, University Art Museum, Las Cruces, NM

Northwestern Pritzker School of Law, Chicago, IL

Palm Springs Art Museum, Palm Springs, CA

Peabody Essex Museum, Salem, MA

Philbrook Museum of Art, Tulsa, OK

Portland Art Museum, Portland, OR

Princeton University Art Museum, Princeton, NJ

Rockwell Museum, Corning, NY

Ruth and Elmer Wellin Museum of Art, Clinton, NY

San Francisco Museum of Modern Art, San Francisco, CA

Seattle Art Museum, Seattle, WA

Smithsonian American Art Museum, Washington, D.C.

St. Louis Art Museum, St. Louis, MO

Syracuse University Art Museum, Syracuse, NY

Tacoma Art Museum, Tacoma, WA

The Columbus Museum of Art, Columbus, OH

Tippet Rise Art Center, Fishtail, MT

Toledo Museum of Art, Toledo, OH

Triton Museum of Art, Santa Clara, CA

Tucson Museum of Art, Tucson, AZ

University of New Hampshire Museum of Art, Durham, NH

Virginia Museum of Fine Arts, Richmond, VA

The Whitney Museum of American Art, New York, NY

Weisman Art Museum, Minneapolis, MN

Williams College Museum of Art, Williamstown, MA

2026

Cotter, Holland. “Art’s New Season: Retrospectives and Resistance.” The New York Times, 7 September, 2026.

Collier, DaeQuan Alexander, et al. “Wendy Red Star Would Rather Be Outside.” MoMA Magazine, 13 August 2026.

Staff. “US400: The people shaping Creative America in 2026.” Wallpaper* Magazine, 6 July 2026.

Belasco, Daniel. “Reviews: Wendy Red Star.” Artforum, 1 June 2026.

Bruce, Delan. “The Magnificent 7.” UCLA Magazine, 28 April 2026.

Keenan, Annabel. “Wendy Red Star by Annabel Keenan.” BOMB Magazine, 8 April 2026

Vartanian, Hrag. “15 Shows to See in New York City This April.” Hyperallergic, 2 April 2026

“Wendy Red Star’s New Solo Art Show.” WNYC’s All Of It, 2 April, 2026

“A Brief But Spectacular take on channeling identity through art.” PBS News Hour, 1 April, 2026

Allen, Emma. “Wendy Red Star Gets Her Bag.” The New Yorker, 16 March, 2026.

Chernick, Karen. “‘There’s a bead connection to every place’: Wendy Red Star on exploring the real and symbolic currency of beads.” The Art Newspaper, 5 March, 2026.

Jackson-Dumont, Sandra. “Sandra Jackson-Dumont’s Favourite Works from Frieze Los Angeles Viewing Room.” Frieze Magazine, 20 February, 2026.

2025

Cusumano, Katherine. “On Collaborating With Your Ancestors.” The Creative Independent, 16 October 2025.

Nelson, Dustin. “MIA Announces Acquisition of 'Exceptional' Pieces That Enter Its Permanent Collection.” MSN, October 2025.

Gemima, Clare. “Indigenous Identities: Here, Now & Always.” Whitehot Magazine, 29 September 2025.

Whitfield, Zoe. “'What does it mean that the language of photography is invented by men?' Justine Kurland explores the feminist potential of collage.” Wallpaper, 19 July 2025.

Red Star, Wendy. “Last Word.” Library of Congress Magazine, May/June 2025.

Tucker, Neely. “Native American Art.” Library of Congress Magazine, May/June 2025.

McCall, Tris. “Theme of defiance permeates ‘Indigenous Identities: Here, Now & Always’ at Zimmerli Art Museum.” New Jersey Arts, 12 May 2025.

Sheets, Hilarie. “Art to See on Day Trips From New York City This Spring.” The New York Times, 1 May 2025.

Staff. “Anicka Yi, Wendy Red Star, and 7 Other Artists Pick the Most Influential Environmental Art of the Past Century.” Cultured Magazine, 21 April 2025.

Gallow, Lauren. “A Natural Landscape That Lends Itself to Art.” The New York Times, 14 April 2025.

Ironcloud, Petala. “Indigenous Art History Has Been Waiting for You to Catch Up.” Hyperallergic, 8 April 2025.

Anderson, Skip. “Montana State alumna and acclaimed artist Wendy Jean Red Star to receive honorary doctorate May 9.” Montana State University News, 13 March 2025.

Falk, Naomi. “The Surrender of Man.” Asterism Books, 2025.

Barber, Karen. “Wendy Red Star: Archival Interventions.” Great Plains Quarterly, 2025.

2024

Marsh, Ariana. “Wendy Red Star Is Decolonizing the Art World With Humor—and Help From Her Ancestors.” Harper’s Bazaar, 4 October 2024.

Staff. “2024 MacArthur Fellowships awarded to four visual artists.” Artsy, 2 October 2024.

Aguiar, Annie. “MacArthur Foundation Announces 2024 ‘Genius’ Grant Winners.” The New York Times, 1 October 2024.

Staff. “Four Artists Among Recipients of 2024 MacArthur Fellowships.” Artforum, 1 October 2024.

Blair, Elizabeth. “Here’s who made the 2024 MacArthur Fellows list.” NPR, 1 October 2024.

Boucher, Brian. “Artists Tony Cokes, Ebony G. Patterson, and Wendy Red Star Among 2024’s MacArthur Grantees.” Artnet, 1 October 2024.

Sutton, Benjamin. “Artists Tony Cokes, Ebony G. Patterson and Wendy Red Star among winners of 2024 MacArthur ‘genius grants'.” The Art Newspaper, 1 October 2024.

Greenberger, Alex. “Tony Cokes, Wendy Red Star, and More Win McArthur ‘Genius’ Fellowships.” ARTnews, 1 October 2024.

Nayyar, Rhea. “Wendy Red Star and Ebony G. Patterson Among 2024 MacArthur Fellows.” Hyperallergic, 1 October 2024.

Roberts Projects. “Wendy Red Star Now Represented by Roberts Projects.” Roberts Projects, 24 September 2024.

Dawson, Aimee. “Wendy Red Star brings contemporary Native American art to London.” The Art Newspaper, 11 September 2024.

Rees, Lucy. “Meet 6 Visionary Women Shaping the Art World in 2024.” Galerie Magazine, 9 August 2024.

Hunt, Joshua. “Wendy Red Star: ‘Native artists are hot right now’.” The Financial Times, 10 May 2024.

Oregon Community Foundation. “Wendy Red Star: 2024 Bonnie Bronson Fellow.” Oregon Community Foundation, April 2024.

Rabb, Maxwell. “15 Leading Curators Predict the Defining Art Trends of 2024.” Artsy, 12 January 2024.

2023

Ray, Ella. “Critics Picks: The Rose.” Artforum, 2023.

Kennicott, Phillip. “Art on the Mall! They put art on the Mall!” The Washington Post, 19 August 2023.

Cascone Sarah. “The National Mall’s First Outdoor Public Art Show Celebrates Diversity with Sculptures by Derrick Adams, Wendy Red Star, and More.” Artnet, 18 August 2023.

Pontone, Maya. “Reimagined Monuments Take Over DC’s National Mall.” Hyperallergic, 18 August 2023.

Aboulhosn, Angelica. “These Artists Are Redefining the American West.” Smithsonian Magazine, 14 August 2023.

Jenkins, Mark. “National Mall gets its first curated multi-artist exhibition.” The Washington Post, 12 August 2023.

Voon, Claire. “Monuments to overlooked histories are coming to Washington, DC’s National Mall.” The Art Newspaper, 21 July 2023.

Lauter, Devorah. “‘We Get the History We Are Ready For’: Meet the Native Women Artists Claiming Their Place in New York.” Cultured Magazine, 10 May 2023.

Scott, Chadd. “Wendy Red Star Takes Columbus Museum Of Art Visitors To The Apsáalooke Reservation, Forbes, 30 April 2023.

Steward, Ashley. “Art Review: Engaging with Contemporary Work at CMA.” Columbus Underground, 28 April 2023.

Rivera Amin, Lakshmi. “14 Art Books and Catalogues We’re Reading This Month.” Hyperallergic, 2 April 2023.

2022

Barber, Karen. "Collecting the Indian Congress: Reframing Indigenous Photography Albums from the Trans-Mississippi and International Exposition." Diverse Voices in Photographic Albums, edited by Mary Trent and Kris Belden-Adams, Routledge, 2022.

Small, Zachary. “National Mall Commissions 6 Artists for Monument Exhibition.” The New York Times, 7 December 2022.

Time Photo Department, “TIME’s 20 Best Photobooks of 2022.” Time Magazine, 21 December 2022.

Baumgardner, Julie. “A New $4.5 Million Public Art Initiative Aims to Create ‘More Inclusive and Equitable’ Monuments. The First Selection Is Coming to the National Mall.” Artnet News, 7 December 2022.

Keats, Jonathon. “This Powerful Exhibit Shows How Indigenous Photographers Are Taking Native American Identity Back From The Colonizers.” Forbes, 7 November 2022.

Miranda, Carolina. “Wendy Red Star reimagines a 19th century Indigenous gathering at the Broad.” TheLos Angeles Times, 3 September 2022.

Rahmanan, Anna. “Check out these colorful art pieces on display at 100 bus shelters around NYC.” Time Out New York, 25 August 2022.

Dafoe, Taylor. "Rising Artist Wendy Red Star on Why She’s Bringing Lost Native American Histories to Light on Bus Stops in Three U.S. Cities.” Artnet News, 25 August 2022.

Midge, Tiffany. “Wendy Red Star’s Indigenous Gaze.” The New Yorker, 18 July 2022.

Vankin, Deborah. “Liberty, justice and freedom for all? Happy Independence Day, everyone.” Los Angeles Times, 2 July 2022.

Dodson, Jewels. “Wendy Red Star Valiantly Recontextualizes Indigenous Representation.” Artsy, 22 June 2022.

Churchman, Fi. “Wendy Red Star: A Float for the Future.” ArtReview, 9 June 2022.

Becker, Stephanie. “‘This is Not America’s Flag:’ Artworks challenge what it means to be from the United States.” CNN, 22 May 2022.

Reid, Madison and Schaller, Allison. “12 of This Spring’s Best Art Books.” Vanity Fair, 18 May 2022.

Moya Ford, Lauren. “Wendy Red Star’s Empowered Vision of Crow History.” Hyperallergic, 21 April 2022.

Chernick, Karen. “Why Artist Wendy Red Star Centered Indigenous People in Her Abstracted Revision of the Iconic Manifest Destiny Painting ‘American Progress’.” ARTnews, 22 April 2022.

Wander, Robin. “Apsáalooke artist Wendy Red Star creatively engages with the Stanford community.” Stanford News, 21 April 2022.

Staff. “Reframing a more inclusive American West in modern and contemporary art.” The Seattle Times, 3 April 2022.

2021

Durón, Maximilíano. “The 10 Best Booths at New York’s Armory Show: Stunning Sculptures, Under-Recognized Pioneers, and ‘Mindscapes’.” ARTnews, 10 September 2021.

Schultz, Abby. “New York Fairs Return With Reports of Brisk Sales.” Barron’s, 9 September 2021.

Sharp, Sarah Rose. “When the present does not add up, artists look to the future.” The Art Newspaper, 9 September 2021.

Heinrich, Will. “Art Fairs Come Blazing Back, Precarious but Defiant.” The New York Times, 9 September 2021.

Sinclair Colman, Michelle. “The 2021 Armory Show Heralds the Return of New York’s Art Scene.” Galerie Magazine, 7 September 2021.

Krzyzaniak Geary, Owen. “Wendy Red Star: Brings Good Horses at Sargent’s Daughters.” The Arcade Project, May 2021.

Kiley, Brendan. “Seattle Art Museum aims to overhaul its American art galleries to be more inclusive.” The Seattle Times, 16 June 2021.

Bierman, Courtney. “Joslyn Exhibition Reunites Members of Indian Congress, 123 Years Later.” Kios, 19 April 2021.

Staff. “High/Low Issue.” Los Angeles Review of Books, February 2021.

Scott, Chad. “Travel Back In Time To The Indian Congress Of 1898 Via Wendy Red Star At Joslyn Art Museum In Omaha.” Forbes, 7 February 2021.

Chernick, Karen. “The Historic Indian Congress is United in Omaha by Artist Wendy Red Star.” The Art Newspaper, 1 February 2021.

2020

Staff. “The Most Influential Artists of 2020.” Artsy, 7 December 2020.

Whyte, Murray. “Artist Wendy Red Star corrects the record on her Crow forebears.” Boston Globe, 25 November 2020.

Haque, Fahima. “The Native Artists Showing Us What’s Happening in Indigenous America.” The New York Times, 10 September 2020.

Chernick, Karen. “Wendy Red Star Is Teaching Children About the Crow Nation With Her Art.” Hyperallergic, 6 August 2020.

Carrigan, Margaret. “Museums in Western Massachusetts Reopen.” The Art Newspaper, 14 July 2020.

2019

Green, Christopher. “Review: Wendy Red Star.” Art in America, May 2019.

Cipolle, Alex. “Increasing Exposure for Native Artists.” The New York Times, 12 March 2019.

Sullivan, Robert. “Wendy Red Star’s New Exhibition Is Part Historical Corrective, Part Ghost Story.” Vogue, 2 March 2019.

Friedman, Julia. “An Attempt to Redefine Feminist Art Has Some Surprises.” Hyperallergic, 25 February 2019.

Rinck, Jonathan. “A Museum Gains Prominence Through Collecting Native American Artists’ Work.” Hyperallergic, 21 February 2019.

Cascone, Sarah. “Editors’ Picks: 16 Things Not to Miss in New York’s Art World This Week.” Artnet News, 19 February 2019.

2018‍ ‍

Guerber, Megan. “Q&A with Wendy Red Star and Beatrice Red Star Fletcher.” American Craft Council, 17 May 2018.

Mentzer, Morgan. “Wendy Red Star: Owning Your Power.” NEA Arts Magazine, 2018.

Thompson, Chuck. “Wendy Red Star and the Indigenous Voice.” Cowboys and Indians, 25 January 2018.

2017

Red Star, Wendy. “The Year According to Wendy Red Star.” Walker Art Magazine, 14 December 2017.

Walsh, Cory. “'Our Side': Art examines indigenous traditions, identity and innovation.” Missoulian, 8 December 2017.

Billard, Jillian. “8 Contemporary Native American Artists Challenging the Way We Look at American History.” Artspace, 24 November 2017.

Thompson, Chloe Alexandra. “Story Trader: An Interview with Wendy Red Star.” Art in America, 8 November 2017.

Hatfield, Zack. “Wendy Red Star Cue Art Foundation.” Artforum, June 2017.

Stull Meyers, Ashley. “Interview with Wendy Red Star.” Daily Serving, 14 March 2017.

Lukin Linklater, Tanya. “The Insistence of a Crow Archivist: Wendy Red Star.” Blackflash Magazine, 33.2, 3 February 2017.

2016

Beck, Abaki. “Decolonizing Photography: A Conversation with Wendy Red Star.” Aperture Magazine, 14 December 2016.

Blais-Billie, Braudie. “Wendy Red Star Makes Probing Art About Native American Identity.” i-D Magazine, 18 November 2016.

Kiley, Brendan. “Wendy Red Star Named 2016 Winner of Betty Bowen Award.” The Seattle Times, 21 September 2016.

Steinkopf-Frank, Hannah. “Meet Wendy Red Star, One of Contemporary Native American Art’s New Faces.” Paper Mag, 26 August 2016.

Fleischer, Evan. “Native American photographers respond to Edward Curtis’ images 100 years later.” The Guardian, 6 May 2016.

PBS. “Oregon Art Beat: Wendy Red Star.” PBS, 18 February 2016.

2015

Margolis-Pineo, Sarah. “Red Star Rising.” Bitch Magazine, Summer 2015.

Gopnik, Blake. “At the Metropolitan Museum, Wendy Red Star Pokes at Indian Clichés.” Artnet, 7 April 2015.

2014

Brien, Luella. “Wendy Red Star on the Rise.” Native Peoples Magazine, November - December 2014.

Graves, Jen. “Maybe Don't Wear a Warbonnet to the First-Ever All-Native Art Exhibit at Bumbershoot.” The Stranger, 20 August 2014.